733; Arizona Diamondbacks vs. Oakland Athletics Tickets on August 30, 2015 in Phoenix, Arizona For Sale

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dress and scene?backing. And when we are told that they are apt to run too much into grooves and families, it is sufficient to answer that it really does not lie in the mouth of an age which produces grime?novels, problem?novels, and so forth, as if they had been struck off on a hectograph, possessing the not very exalted gift of varying names and places--to reproach any other age on this score. But we have only limited room here for generalities and still less for controversy; let us turn to our proper work and survey the actual turn?out in fiction--mostly as a result of mere fashion, verse, but partly prose--which the Middle Ages has left us as a contribution to this department of English literature. It has been said that few people know the treasures of English romance, yet there is little excuse for ignorance of them. It is some century since Ellis's extremely amusing, if sometimes rather prosaic, book put much of the matter before those who will not read originals; to be followed in the same path by Dunlop later, The English Novel 6 and much later still by the invaluable
and delightful Catalogue of [British Museum] Romances by Mr. Ward. It is nearly as long since the collections of Ritson and Weber, soon supplemented by others, and enlarged for the last forty years by the publications of the Early English Text Society, put these originals themselves within the reach of everybody who is not so lazy or so timid as to be disgusted or daunted by a very few actually obsolete words and a rather large proportion of obsolete spellings, which will yield to even the minimum of intelligent attention. Only a very small number (not perhaps including a single one of importance) remain unprinted, though no doubt a few are out of print or difficult to obtain. The quality and variety of the stories told in them are both very considerable, even without making allowance for what has been called the stock character of mediaeval composition. That almost all are directly imitated from the French is probable enough, that most are is certain: but this matters, for our purpose, nothing at all. That the imitation was not haphazard or indiscriminate is obvious. Thus,